More audio news on the Mac today: the undeniably cute, surprisingly functional TapeDeck recording app (yes, it looks exactly like a cassette deck, and works pretty much the same way) has been updated to version 1.1. The headline features in this version are improved export capability (to most QuickTime-supported audio formats, including MP3 and AIFF), the option to record high-quality at 320kbps, and built-in YouTube exporting, complete with a charming tape-playing video.

TapeDeck's simplicity, and the very easy (possibly too easy) YouTube export, are bound to have plenty of Mac users releasing their quick & dirty audio recordings to the world in short order. TapeDeck (Universal Binary) is $25 and a demo is available at the tapedeckapp.com site.

Video of the YouTube export in action after the jump.

In the Mac audio software market, Ambrosia's WireTap Studio made a splash last year when it launched, offering lossless capture and audio editing with a fresh interface (and competing with incumbent heavyweight Audio Hijack Pro from Rogue Amoeba). Although it aimed at being an end-to-end solution for basic podcasting and audio production needs, the limitations of the built-in editor meant that high-end and pro users still needed to export from WTS to complete a project elsewhere. Since most pros end up in another editing environment anyway, why not have the underlying capture engine from WTS available to any recording application, and turn your Mac into a virtual patch bay?

That's the concept behind Ambrosia's new pro-level (and pro-priced at $129US) capture tool, WireTap Anywhere. Rather than the two-channel recording options of WTS, with the WireTap Anywhere preference pane you can route and mix multiple audio sources and deliver them to the recording application of your choice. Want Skype, iTunes and QuickTime sources all to end up in Peak or GarageBand? WTA has your back. You can check out several demo movies at Ambrosia's site or download the 13MB demo.

I've experimented with several combinations of recording software and application audio capture tools (Soundflower, Übercaster, Call Recorder, Audacity and AHP among them) and I've yet to find the perfect setup that allows me to combine live audio chat from Skype with music or sound effects played in QuickTime or iTunes, all audible to the remote call participants while being recorded cleanly and latency-free on my end; Übercaster comes awfully close, but the current 1.5.5 version still has issues with Skype dropouts. I'm looking forward to giving WTA a test run to see if it can meet the challenge.

EccoNote is a nice little free audio recording app - one of many similar recorders available in the App Store.

I use the word "little" deliberately, because EccoNote is very simple. In a good way. You can record your audio notes, you can play them back, and that's about it. There are no settings to mess with. The audio quality is very good and the controls nice and obvious.

The only odd thing is that the developer's web site, as listed on the App Store, does not appear to exist (at least not as I'm writing this). Their notes in the App Store description field say that they plan to add an email-to-contacts feature within the next month, something I hope they succeed with because that would be very useful.

As I said at the top, there are many other voice recorder apps available. Some for free, some for a little money. I've tried a few (not all) and this is one I like best so far. Your opinions of Ecco and its rivals would be welcomed in the comments.

Call me a curmudgeon if you must, but I am wary of any app that replicates a physical object with its UI. Isn't a large part of the power of computing come from the fact that programmers can transcend the limitations of the real world and offer up better ways of doing things?

In this frame of mind I started looking at TapeDeck, a new $25 Leopard only recording app from SuperMegaUltraGroovy and Toastycode. As the name suggests it looks like a cassette recorder of old, but it does offer up some improvements. Each recording is saved on a new 'tape' automatically, so you never have to record over a previous file (TapeDeck records audio in the AAC format, so the files are small, but you can make them even smaller by lowering the recording quality). It also allows you to annotate your tapes and then search your recording library using that information, and you can send your audio to iTunes if you prefer to organize your files that way.

The real question is: does the UI help or hinder TapeDeck? I'll have to spend more time using TapeDeck to fairly answer that, but at first blush this app is great fun to use (especially if you remember using tape recorders like these).

Aaron Besson of MyTriniPhone posted this morning about a new iPhone video recorder. Unlike previous entries into this realm, this updated version from DreamCatcher records both sound and video.

I download a copy and gave it a try. The interface is a little on the prototype side but it recorded without a hitch. I was able to copy the resulting mp4 video onto my Mac and play it back. It was grainy (as expected, given the low quality of the iPhone camera) but the audio was clear. Playback on the iPhone itself simply did not work for me.

Apparently this code is based on ffmpeg and there's a lively little discussion about this over at the Hackint0sh forums, if you care to check that out. You must pay to register if you'd like to record more than 30 seconds at a time or if you simply like the program and want to support the developer. Deets are in the program. Just tap Settings > About > Buynow.

We here at TUAW have expressed our love of VisualHub, Techspansion's great video encoding app, time and again. But what if those crazy folks at Techspansion decided to take the video part out of VisualHub? The resulting app would be very much like AudialHub, an audio converter that takes many UI and functionality cues from VisualHub.

Read on for our full review.

Update: I mistakenly quoted the special VisualHub cross-upgrade promotional price as the full price for AudialHub. This error has been corrected.

This was going to happen eventually. Altec Lansing has produced the first fully iPhone-compatible speaker docking system. The descriptively named t612 features 60 Watts of power RMS (120 Watts Peak), and connects to your iPhone's dock port.

There are four speakers, enhanced bass, a wireless remote and, best of all, it's immune to that annoying GSM interference noise while the iPhone is docked and not in Airplane Mode.

All this convenience comes at a price -- $199.95US, to be exact. At the time of this posting, no shipping information was available.

We use Skype for the TUAW Talkcast and recently, our host and podcasting guru (OK, not guru, but he is the host and we like him), Michael Rose, has been looking at possibly using Ecamm's Call Recorder 2 plugin as an option for recording our weekly talkcasts. I actually have used it to record both audio and video chat for the Squadcast and really think that it is a fantastic, fantastic add-on.

For anyone unfamiliar, Call Recorder is a great little tool that adds a recording window to Skype. This makes it easy to record incoming and outgoing calls (audio and video). The files are saved in the QuickTime format and they can be converted to MP3 or split into separate tracks.

With the release of the latest version of Skype for the Mac, Ecamm has updated Call Recorder as well. In addition to the latest Skype compatibility, Call Recorder 2.3 also includes a new two-track video recording option (so that you can have a separate stream from each side of the conversation) and enhanced video recording quality.

Call Recorder 2 is $14.95 (for $7 more, you can also get Conference Recorder, which adds the same functionality to iChat, and unlike the built in iChat recorder, doesn't require both users to have Leopard) and a free demo is available if you want to try out the tool.

If you want a simple, hassle free way to record Skype conversations, give Call Recorder a shot!

One of my favorite Apple products ever has got to be the Aiport Express. I know it isn't sexy, but AirTunes (that's what Apple calls the technology that lets you stream your music from iTunes to a stereo connected to an Airport Express) is one of the best tech inventions ever. AirTunes, despite my unholy love for it, has some drawbacks: it only works in iTunes, and it only works for audio files.

Enter Airfoil, which just hit version 3. Airfoil allows you to stream audio from any program on your Mac to an Airport Express (or multiple Airport Expresses) and keep all those streams in sync. That's not all, version 3 lets you stream audio from one Mac to another Mac that is running Airfoil Speakers (a mini app that comes with Airfoil), one upping Apple's solution. Airfoil also includes a new video player that allows you to stream audio from most video formats to Airport Expresses (or other Macs) which will make watching some of those HD trailers a much better experience.

Airfoil 3 costs $25, but is a $10 upgrade for all Airfoil 2 users (and if you bought Airfoil after July 16th, 2007 you get a free upgrade).

AudioFinder fits a niche that I admittedly don't have a lot of experience in, but I just gave version 4.7 a test run and I'm impressed. OK, so it got me with its not-bad looks to start with, which gave it a leg up on most of the other prosumer-level audio asset managers I've played with. But it quickly lived up to its moniker with Finder-like ease-of-use and powerful features made simple.

I loved that it integrated completely with Finder, and that it provided an interface for viewing audio that was as powerful as anything I've seen for graphics previews. I haven't seen any app at any price do this as simply. A keyboard in the main window lets you pitch sounds in realtime, as well as run them through AudioUnits. It essentially has a full editor built into the "Finder" panel that is powerful without being domineering.

There is a free level (sound browsing only) available if you request an activation code. The list price for full activation is $69.95 and the demo of 4.7 is available for download. At the time of this writing the website still says the download is version 4.6.3, but it's not. I checked, just for you.

Over at the iPod touch fans forum, user Marian reports that he's managed to confirm that the iPod touch audio input pins are active. He modded an old docking cable, connecting the line-in pins to an audio source. He then used my voice recording app to capture the signal. You can see pictures of his setup on his personal blog.

I'd really appreciate it if any of you own an iPod mike (iTalk, MicroMemo, whatever) could test it with VoiceNotes on a touch and see whether these pre-built solutions are also compatible.

Update:Marian writes that he's recorded from audio line in. You can find a sample he recorded here. He's now working on attaching a mike. Unfortunately, since I exclusively record using the voice-optimized AMR codec, the quality is just so-so.

Reader Sebastiaan sends word that Fuzzmeasure Pro 3 is out (and that he designed the icon for it-- very nice). Released on the three-year anniversary of the first version's release, the update has a host of new features, including integration with Leopard's Core Audio, the sweet audio graphs that the app is known for, and even Quicklook and Safari plugins. It's been used to set up concert systems for "...Linkin Park and other big name bands around the world." Cool!

As you may have guessed from reading "Core Audio" and "Quicklook", Fuzzmeasure Pro 3 is Leopard-only (and loving it). You can download it (and eventually buy it for $150US) over on SuperMegaUltraGroovy's website.

We've been eagerly awaiting WireTap Studio, and it has arrived -- available for download and purchase today from the fine folk at Ambrosia. Like Rogue Amoeba's venerable Audio Hijack Pro (friend to podcasters everywhere & used in the production of the TUAW talkcast) and the older Ambrosia versions of WireTap and WireTap Pro, WTS will allow you to record the audio output of any application, line-in or microphone source on your Mac. The new app goes beyond AHP, however, in providing a full 'lossless master' editing environment to allow your audio to shine. You can roll back to your original source at any time, and even hear 'live previews' of your compression settings before putting the squeeze to your files.

A full WTS license is $69 for Tiger or Leopard (universal binary), and WireTap Pro or Audio Hijack Pro users can up/cross-grade for $30. I'm definitely going to check it out, and if you do the same, please let us know what you think.

You never know when instant karma is gonna getcha. Take my playaudio application. Yesterday, I was chatting with some developer buddies about maybe putting together an Internet radio application and discussing the fact that the Celestial iPhone framework is essentially QuickTime repackaged. While talking, I decided to try using my existing playaudio app with a URL rather than a local audio file. So I typed the following at the iPhone command line:

playaudio http://steiner.math.nthu.edu.tw/ne01/tjy/music/06.I%20Just%20Called%20To%20Say%20I%20Love%20You.mp3

And...it worked. Just like that, the instrumental-only cover began to play back through my iPhone speakers. Apparently, Apple has merged the concept of "local file" and "URL" a lot more closely than I'd thought. I haven't had any luck connecting to .pls or any other live radio feed but if you'd like to play back Internet-based files, playaudio works just fine.

Yet another minor Apple product announcement that made it under our radar was a new Jam Pack for GarageBand: Voices. No, it isn't samples of Britney Spears, John Mayer and Adam Duritz - it's a collection of over 1,500 new instruments that fall under the categories of Drum and Percussion Instruments, Choral Ensembles, and Soloists. The focus, of course, is on filling up your tool belt with samples of professional instrumental soloists and choirs covering a wide variety of genres and styles.

If you want more details on the pack, iCompositions has rummaged through and detailed exactly what you get in this new Jam Pack. Strangely, you get quite a bit more than what Apple advertises - the pack actually contains 1701 loops - and it takes up nearly half the specified hard drive space as well; instead of taking up 3 GB, all those loops only took over a mere 1.7 GB.

As with most other Jam Packs, this new Voices pack is available in the Apple Store for the standard Jam Pack price of $99.00.