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microphones posts

Filed under: Macworld, Accessories, Audio

Macworld 2009: Blue Microphones

Good audio starts with a good microphone, and plenty of Mac podcasters depend on the effective and economical offerings from Blue. There are devices to fit most needs and most budgets in the Blue Microphones product line, and the company is beginning its string of three consecutive trade show appearances (Macworld, CES and NAMM in three weeks -- that's a lot of microphones) by showing off three new products. The Icicle XLR to USB converter is great for users with investments in legacy XLR gear who want a simple way to direct that audio to their computers; it's shipping now for $60 street price. (Update: we in no way meant to imply XLR is being phased out or is outdated by using the term "legacy" -- of course, it is standard in professional audio gear).

The Mikey iPod microphone adds audio capture to most iPod models (not the iPhone or touch, unfortunately) with a swivel head and multiple gain settings to allow for recording over a variety of distances. Mikey retails for $80.

Lastly, the EyeBall takes the popular Blue Snowflake mini-microphone and adds in a retractable, "Super HD" webcam that pops out of the side of the microphone when needed. The EyeBall is available for a street price of $100, a $30 premium over the conventional Snowflake model.

You can see more details of all three products in the gallery below and the video in the 2nd half of the post.

Continue readingMacworld 2009: Blue Microphones

Filed under: iPod Family, Reviews

O'Reilly posts iPod microphone shootout

Over at O'Reilly, Mark Nelson tested all three major iPod microphone add-ons and wrote about his results. He tried out the Belkin TuneTalk stereo, the Griffin iTalk Pro, and the XtremeMac MicroMemo. When all was said and done, all three solutions performed well despite the fact that they were all horrible battery hogs.

The $50 iTalk Pro offered one-touch recording and three input levels but its built-in microphone picked up a lot of hard drive noise. The $60 MicroMemo used a handy boom that avoided picking up iPod noises but had no level controls and could only record mono audio. The $70 TuneTalk Stereo offers a USB port that allows you to record while your iPod is docked and charging but had stability issues for positioning and the microphone, like the iTalk Pro, picked up iPod hard drive noises.

TUAW readers: have you bought an iPod mic? Which one did you buy? And are you happy with your purchase? Let us know in the comments.

Full disclosure: I write for O'Reilly.

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