Apple posts Final Cut Pro X FAQ

In what seems to be an attempt to address the widespread controversy over the recent release of Final Cut Pro X, Apple has posted a FAQ on its site to address some of the concerns that have been raised thus far. Designed to answer the biggest questions that professional editors have raised over Final Cut Pro X, Apple has given very few straightforward "no" answers to questions regarding the video production suite's "missing" features.
One of the few "no" answers regards importing projects from Final Cut Pro 7 to Final Cut Pro X. Apple claims the change in product architecture prevents "translating" projects from the old format into the new one. Many other answers either explain how to accomplish tasks that may have confused users accustomed to the old interface.
A fair number of the FAQ's points address questions by saying, "Not yet." As an example, professional editors have been up in arms over Final Cut Pro X's inability to support multicam editing, but Apple says support for this feature is coming "in the next major release." XML exporting will also be offered soon; Apple will release APIs "in the next few weeks" that will allow third-party developers access to the new XML in Final Cut Pro X.
Final Cut Pro X has been one of the most controversial Apple software products in recent memory. It's unclear at this early stage if this FAQ goes far enough in addressing the concerns of the "pro" community to which the suite is supposedly targeted, but it's at least obvious that Apple is aware of users' concerns and working toward addressing some of them in future updates.
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Apple has posted a FAQ on its site to address user concerns over Final Cut Pro X.
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Seriously, the problem is the fact that Apple are selling this along with Motion and Compressor as a direct replacement of Final Cut Studio. It's not ready to take over the reigns, and that is what's irritating the professional users.
It has some great new features and looks like it may, in the future, be something special. At the moment though, it's a bit half-baked, and Apple's attitude doesn't seem to have helped one bit (remaining tight-lipped until just yesterday, discontinuing support for FCS). I've received my refund, and will stick with Final Cut Studio as a genuine professional-level post-production suite until:
a) FCP X is ready to completely replace it, or
b) I've become proficient with AVID and Pro Tools.
Being Apple fanboyish about this and verbally attacking the professionals whose livelihood has been affected by Apple's complacency isn't particularly constructive.
Oh, for god sake. Because everyone in pro community is still whining, even after with this FAQ, I'll shout:
SHUT UP, AND STOP WHINING ABOUT LACK OF SOME FEATURES. Final Cut Pro X, in my mind, is video editing in professional industry done right. Other softwares, such as Avid Media Composer, and Adobe Premiere Pro CS5.5 is powerful but one key important feature is missing from those two apps: Simplicity. Apple took the simplicity of iMovie, and merged it with powerful feature of Final Cut Pro, and as result, we have app that is breakthrough, never been done before in professional industry.
One thing I get whenever I try to teach my friends on video editing is how complicated the interface is, and I agree. Final Cut Pro X, the interface is so easy that even people who just hopped onboard the professional video industry can learn with just few clicks. As for lack of hardware support on Final Cut Pro X, all those things are now obsolete, in fact, it's been obsolete for years. We are living in mobile age, and this is where iCloud come in. No need to carry tapes or discs, or hard drive. Access everything via cloud.
Final Cut Pro X, is the future of professional video editing, and Apple has done excellent job.
To be clear, I do respect your opinion, but I've gotta say, it really sounds like you have no idea what you're talking about. iCloud has nothing to do with pro video editing; I guarantee Apple's new server farm isn't there to host hundreds of gigabytes (if not terabytes) of footage for each production house out there.
June 29 2011 at 2:25 PM Report abuse Permalink +1 rate up rate down ReplyIt's not "professional" if it could be done with a few clicks, just stick with imovie if you want that. Professionals need fine tuned settings and adjustments. Also the "cloud" has nothing to do with video editing at this point. Any HD project can easily take over 50 gigs of raw space for even a 3 minute video, try putting that on the "cloud".
June 29 2011 at 3:23 PM Report abuse Permalink +1 rate up rate down ReplyIn timing, you can fine tune to a frame and nudge by 1 or 10 frames in either direction -- is that granular enough?
June 29 2011 at 6:20 PM Report abuse Permalink -1 rate up rate downI'm with Ian Betteridge. For crying out loud, just keep selling/supporting the old one for a year or two; it won't be like Windows XP's lingering death if the new FCPX is quickly upgraded as promised. Making a standalone "it'll do it as good as possible given the differences of video editing approaches" project converter would help, too. If there's "Compressor" why not "Converter"?
June 29 2011 at 10:45 AM Report abuse Permalink rate up rate down ReplyThe lack of support for the previous format blows me away. It's absolutely impossible to read and translate the old file format? For a program that does the same kind of work? Please. Even if there were features in the old one that the new one didn't support it could still import what it could and pop up a note saying what wasn't handled, like when iPhoto decides it can't import all the photos from my phone. (Image Capture to the rescue! btw.)
June 29 2011 at 10:02 AM Report abuse Permalink rate up rate down ReplyAre you able to use Final Cut Pro 7 while having Final Cut Pro X installed? If so, just use 7 for 7 projects.
June 29 2011 at 10:15 AM Report abuse Permalink rate up rate down ReplyYou don't need that feature. Sometimes, all good things have to come to an end, like support for older version of the file. Like Apple said, finish whatever you are working on your old version of Final Cut Pro, and on the newer project, use Final Cut Pro X. If you can't live with that, switch to Avid, or Adobe, or leave video editing altogether.
Sometimes, you have to adapt to changing technology.
Their answer to where your scratch/render files go is really unacceptable. To say you control where they go by putting them into the project (presumably a bundle) itself might be convenient for moving projects between computers, but for large Mac Pro setups with separate spindles for scratch and projects, it's useless. Once I've encoded and delivered, I don't want my renders sitting around taking up space. I don't need them. If I ever do, big whoop, I'll re-render. This is a non-starter for me and will continue to be until they fix it. Really, how many professionals think portability from machine to machine is more important than controlling disk usage?
June 29 2011 at 9:51 AM Report abuse Permalink rate up rate down ReplyThe other thing that is seriously horrible is that while yes, you can tell it to not copy files to the OS disk it will in fact write proxy files for every clip you have. I have my OS on an SSD for speed. It is only 256GB and has about 60GB left...I don't want any application writing anything to it!
June 29 2011 at 11:28 AM Report abuse Permalink rate up rate down ReplyOr how about this: Cloud storage. This is better.....
You don't need spindles for scratches and projects. Put it in the cloud, and save some money.
So we CAN export to OMF! We just have to drop another $500 on an external software package to do it. Gee, thanks, Apple.
June 29 2011 at 9:21 AM Report abuse Permalink +2 rate up rate down ReplyCalm down. Remember that you got Final Cut X for $300.
June 29 2011 at 10:20 AM Report abuse Permalink -2 rate up rate down Reply"Remember that you got Final Cut X for $300."
No you didn't. After buying the plugins needed to replace the missing functionality you end up spending almost as much as Final Cut Studio costs, but without all the extra applications that made it worth that amount.
Funny thing is, everyone seems to be commenting on how inexpensive FCPX is at $300......ummm, it used to be $1200 for the entire studio suite! FCP7, DVD Studio, Compressor, Soundtrack Pro, Motion, Color, and LiveType. $1200/7 apps is $171 per app. FCPX is actually double price!
June 29 2011 at 11:29 AM Report abuse Permalink +1 rate up rate down Reply@Jayne:
Wrong. FCPX does NOT include Color or Soundtrack Pro. If you go read the reviews of these new features from Color users and Soundtrack Pro users, you will see that they only borrowed certain interface elements. The power of Color is absolutely gone. The power of Soundtrack is absolutely not present.
Just because they updated the color correction interface does NOT mean it has improved functionality, and the pros have confirmed this reality.
It can't "author" DVD/Blu-Ray from my understanding so no dvd studio pro as well.
June 29 2011 at 3:33 PM Report abuse Permalink rate up rate downDaring Fireball linked to an article by Ian Betteridge (http://www.technovia.co.uk/2011/06/how-apple-could-fix-final-cut-pro-x-in-187-words.html) that nicely addresses what Apple could and should do in order to avoid continuing to throw petrol on the fire they started. Basically, they need to continue to both sell and support Final Cut Pro 7 until such time that Final Cut Pro X becomes "fit for purpose" for the professional industry. It's either that or simply admit that they don't want the professional video editing business and advise such customers to migrate to Adobe or Avid.
An FAQ, while providing information on the future, isn't much use for the now.
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